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A city with a wealth Architectural
incredible.
Architecture of the City of Nice: From the palace heyday, Moorish palace,
the building Haussmann, the building Nice type Turin to the luxury residence
Nice has a rich architectural heritage that
illustrates the many and various orders of the Belle Epoque.
This period called golden age of architectural perspective is traditionally
bounded by the wars of 1870 and 1914, going back to Nice until 1860, date
of the annexation of the Comte de Nice by France.
The arrival of the railway in 1864 and Administrative Development French
from 1860 that have strengthened and enabled the phenomenon of tourism cosmopolitan
then constantly developed until the war
1914 which was brutally and permanently discontinued.
The architects active in Nice between 1860 and 1930 belong to two categories
distinct.
Some are foreign, the other premises.
This is so Nice a rather original or unique history of urban planning and
architecture.
The style is not homogeneous, all the influences mingle and meet, are juxtaposed
and sometimes ignore each other.
No other city has hosted on its soil as architectural origins remote capable
of desiring and designing many "follies" which Nice one of the
most exciting cities in Europe.
You will discover Nice palace heyday (hotel group and hotel particular),
Haussmann buildings, buildings of Nice type Turin, residences of the 70
commonly known as current plan and large luxury homes and luxury with large
terraces deep-house rooftop.
Among the foreigners there are Dettloff, led by a wealthy Sponsor as many
others on the Riviera (French Riviera).
His works are very diverse, ranging from Moorish (Raphael villa-Suvang)
to the seaside town that could emerge from an anthology or Biarritz Deauville,
from tenements which would surprise no not in Vienna or Bucharest (Palace
Victor Hugo).
This architecture illustrates the diversity of stylistic means of expression
and programs, as built large or small villas but also beautiful buildings
and huge palaces like the Imperial Park.
Northern countries are present with Tersling.
This fine artist leaves Nice one chief of neo-classical work with the Villa
Massena but also other more modest houses, buildings and as hotels.
It represents the northern school by his rigor and exquisite sense of proportion
and beautiful profiles.
Germans and English are few large sites in Nice apart for religious buildings
of a scrupulous and International Gothic.
The first boom of Nice (1860-1900) is dominated by Donohoe.
Nice This obviously inspired the late Italian Renaissance Palace marble,
Beau-Site.
Although its influence in very elegant Credit Lyonnais, still more Palladian
and high to his friend Germain, director of the bank.
With the latter he subdivides and built the Boulevard Cimiez that crown
the Hotel Regina in 1896 in a more conventional and fairly solid.
Its main buildings are orders from wintering generally outside the region
or abroad: Belgium, English or Russian.
The next generation (1900-1914) is dominated by a personality also Nice,
humble origins, Charles Dalmas.
Very gifted, he is the most beautiful palaces such as the Royal (1906) Rhul
which unfortunately was destroyed, the Hermitage (1906), the Winter Palace
(1901) Grand Palais (1911), or the Palace of the Mediterranean in 1928.
Dalmas was the true inventor of a typically Nicoise, mixing Southern tradition
of flat roofs, friezes and stucco, shutters, influences with the most recent
and most coquettish of neo-classicism
Parisian and international.
The period that develops between the two wars known progression urbanization
intensifies the fabric before.
The conservation of architectural decoration came the 19th century marks
the continuous behavior.
The era of concrete that is developing between 1950 and 1970 corresponds
to new Socio-economic functions, which result in a frenzied urbanization
(building plan current) causing a complete break in the design the urban
setting to finally arrive today on buildings standings Recent very deep
terraces functional in the region.
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